Ginger Baker – bringing African rhythms into modern music

29/04/2012

Ginger Baker

Saw Ginger Baker’s African Jazz Confusion the night before last at Ronnie Scott’s in London [I had made a longer post, but it was trashed by WordPress]. Suffice to say a great experience: with Abass Dodoo (Ghana; can’t wait to see him again somewhere) on African percussion, Alec Dankworth on bass (great musician, wonderful rhythmic and melodic sensibility) and Pee Wee Ellis (a legend in his own right – ex-James Brown, Van Morrison, many others) on sax.

I love Ginger Baker’s style – his rolling, bounding river of beats just goes on and on, giving real movement and emotion to the music. This isn’t esoteric jazz or academic jazz drumming, this is something that taps into an underground river of rhythm and makes you want to get up and move, and start hitting some drums yourself. Younger ‘musicians’ and bands take note.


Never the Bride: real rock with soul

28/11/2011

Every so often I walk over the river to the famous (among Jazz & eclectic music-heads in London at least) Bulls Head in Barnes. Every time I think I am going to see some small possibly interesting gig in the 100 or so seat jazz room. And every time I am blown away by quality, and I think, hm, this should be a 1,500 seat gig. London is funny like that. There are these strange places where hardly any people can fit, and superstar quality just turns up on any night of the week.

Read the rest of this entry »


And now the cine-bad: the Unwatchable Films List

22/11/2011

I created a new permanent page for Unwatchable Films. It’s a specific thing – not just bad films, but truly unviewable ones that have a similar effect to a general anaesthetic. They have their own criteria, and are nothing like the ’25 films so bad they’re unmissable’ lists you often see. I am talking cinema CRIMEs here. Please contribute.


Cinema, alive and well

20/11/2011

Over the last few months, I have managed to squeeze in enough thought-provoking films to think that my favourite medium is still alive and well. We drown daily in a such a stultifying rain of nonsense and noise that it sometimes it seems that any sign of intelligence must be a mistake. Here are some rays of hope.

Melancholia (dir. Lars von Trier): *** We need to talk about Kevin (dir. Lynne Ramsay) ***** The battle of Warsaw: 1920 (dir. Jerzy Hoffman) *** Incendies **** (dir. Denis Villeneuve) Tinker, Tailor, Soldier, Spy **** (dir. Tomas Alfredson) The Skin I Live In **1/2 (dir. Pedro Almodovar) The Debt ***1/2 (dir. John Madden).

Read the rest of this entry »


John McLaughlin – Ronnie Scotts London July 2011

03/08/2011

A bit late, due to holidays, but too good not to report. I saw the guitar legend and his band the 4th dimension at Ronnie Scott’s in London last month. Probably the most expensive tickets I have ever bought, but to be 10 feet from McLaughlin and the rest of the band … why not?

I won’t bother to try to describe his playing, you can find samples on youtube, but to give an idea, it was in the groove of a) his own music (of course) – louder and tighter than ever, b) reminiscent of Jeff Beck / Jan Hammer in the 80s and c) some sensibilities of Jan Akkerman, the great Dutch Jazz guitarist. McLaughlin goes further and harder than you expect – he plays great jazz lines over hard syncopated rock rhythms.

Gary Husband played keyboards, and as ever, is a great personality in stage. You never know quite what he is going to do. This gig, he left the keyboard for a while and went head to head in a drum duel with Ranjit Barot for around 10 minutes. The presence of two complete drumkits on the stage was a warning that something amusing was likely to happen. It was like the ‘cuttin’ heads’ scene in the Crossroads movie, but with humour. Translated into words… Barot: I’m the real guy here, cop this… Husband: wimp. Take this. Barot: just getting my overcoat off here. Whack! Husband: that sucked, eat my sticks! Barot: off my stage, pretender! …. you get the idea. Etienne Mbappe on bass was just a joy to listen to (especially for me, he was 3 feet away), punching out hard rhythms, lots of slap and melody.

Summary: a bunch of world class musicians + 1 legend in London’s most famous jazz club = perfection.


Film review – Animal Kingdom ****

02/05/2011

This Australian film has much to recommend it. It maintains a dark, slow-burn tension for the duration, a by-product of characters who while being completely believable become less and less predictable as time goes on. In a way the film is a kind of trick: you are initially not sure if you are in for a gangster story (will there be a heist, or a gangland battle?), a psycho-drama, or a character study.

Read the rest of this entry »


Thor 3D (*1/2)

28/04/2011

I saw a trailer for Thor at a screening of Source Code (a film that although well acted, seemed pointless and not worthy of review). It looked fairly atrocious, something of the Blade or other superhero variety. However, by chance I noticed later that a) it was directed by Kenneth Branagh – which promised good acting not visible in the trailer, b) Thor is played by until now unknown to me Aussie Chris Hemsworth, who reminded me in the trailer of Aussie Heath Ledger in the execrable but nevertheless watchable Knight’s Tale – a performance that made you think he might just be a real actor in the making and c) it had a long list of other notables, including Anthony Hopkins, Stelland Skarsgard, Idris Elba (the great Stringer Bell from The Wire), Ray Stevenson (Rome), Natalie Portman etc, and finally d) I have never seen a 3D movie before.

Read the rest of this entry »


The Way Back (***1/2) and The King’s Speech (*****)

10/01/2011

Both The Way Back and The King’s Speech seemed to beckon in the last 10 days; one carrying the promise of great things from a great director, the other of great things from great actors.

The Way Back [IMDB]: Weir excels at small human beings struggling in/against huge landscapes (Master and Commander [IMDB] and The Mosquito Coast [IMDB]), and this film didn’t disappoint. From the swirling snowstorms of Siberia to the Mongolian plains to the sweep of the Gobi desert The Way Back looks great on the big screen. The acting is respectable, indeed very credible. Among the escapees, Ed Harris gives a fine performance, Colin Farrell is a surprisingly believable Russian gangster and Saoirse Ronan injects some levity into the long trek.

Two things let the film down in my view. The first is the lack of any obvious human tension. Escaping from a Russian Gulag is ‘drama’ to be sure, and so is survival against all odds,  but somehow we are always searching for more than that, we need to know what people are thinking. One of the best, and surely most tense survival stories has to be Touching the Void [IMDB], about Joe Simpson’s escape from Siula Grande in the Peruvian Andes in 1985, which he climbed with Simon Yates. But if we think about it, the tension is not only about whether Simpson can manage to live, but the whole horror of Yates having to cut the line on him, leading to him being on his own. The Way Back lacks any real hook for getting into the minds of the characters. A few small incidents involving Farrell’s originally menacing, but ultimately, just cheeky, gangster are the closest we get. Read the rest of this entry »


Eric Clapton and Jeff Beck

01/09/2010

This is the first in an occasional series about the guitar, mainly centred on great players, or at least players I happen to like. I will restrict the series to people I have actually seen live… mostly….

I’ll start with Clapton and Beck, because I saw them at the O2 earlier this year (2010) in their ‘together and apart’ billing.

Clapton

I have been a Clapton fan since first discovering him in a record sale in about 1980 as a schoolboy. I was not old enough to be seeing him in the 60s and 70s, but made up for it by listening to all of the classic albums until the stylus came through the other side, and like many others was mesmerised by the original Crossroads, Layla and other classics. I saw him in 1983 and 1990 or so, both times in Brisbane, and then again this year. The biography ‘Survivor’ said he was mainly drunk in the 80′s (Pete Townsend’s fault apparently)… if that’s true, I must start drinking more while I have my guitar plugged in…

Clapton & beck 2010 O2 arena London

The shot above is the two of them playing … Moon River! Eric treated Jeff more or less as his lead guitarist for the songs they were on stage together.

Read the rest of this entry »


Burkas, Belgium and ‘Religious rights’

23/04/2010

Belgium and France signalled in the press this week (22 Apr 2010) that they would ban the Islamic veil known as the Burka (total body coverage with mesh ‘window’ for seeing), and also the Niqab (open slit for seeing). Before legislation is even passed in either country, arguments and insults are flying back and forth. In France, the State Council warns that such bans may violate the French constitution as well as the European Convention on Human Rights [RFI 30 Mar 2010].

Woman wearing a burka

I find the appeal to ‘religious rights and freedoms’ here very interesting, not to say disingenuous. Moral ‘rights’ based on religion have been invoked in countless abhorrent events in human history, from the Crusades (a mostly wrong-headed series of adventuring under Christian flags featuring long periods of boredom punctuated by short episodes of massacre and mayhem) [Amin Maalouf's 'The Crusades through Arab Eyes' is a wonderful read by the way] to the hideous practices related to ‘honour’ maimings and killings common (but not limited to) in the Islamic world. In the modern world, religion is never far from bombs and violence – Northern Ireland, Palestine, Nigeria and Iraq being just a few examples. These extreme situations are all easy enough for peace-loving individuals and governments alike to condemn.

Read the rest of this entry »


Follow

Get every new post delivered to your Inbox.

Join 55 other followers